Wednesday, 20 April 2016

Behind the Scenes with This Restless House: part two!


Olivia Morgan aka Electra is back to share another week of her adventures in rehearsals for This Restless House.

Get caught up with part one of Olivia's blog series here 

Phew, well that was the week that was. Tech week. For parts two and three. 

It was exciting to be on our stage after 7 weeks of rehearsal. It looks spectacular. An incredible set that is suitably versatile to house all three plays. And our lighting designer Ben, is having fun changing the mood for each part.  


Lighting Designer Ben Ormerod surveys lighting. Image by Alex Brady

It's joyous to play on this stage but you can also feel like a clumsy oaf as, like all productions, there are always things to get used to. No matter how good a mark up is in a rehearsal room, things just feel different on the actual stage. So, sometimes we change our entrances, our exits, our positioning in order to make sense of it all.  And sometimes aspects of the set are such fun to use that they begin to have a lot more prominence in the show.  I'm not going to reveal what these will be ;)  The Citizens has a raked stage which definitely takes a bit of getting used to, especially in the spectacular DM's that Electra shall be sporting.  
This Restless House at the Citizens Theatre, 2016 citz.co.uk
Photos: Tim Morozzo
As the week progresses our dressing room seems to accrue more biscuits and snacks in a bid to combat the long hours.  And everyone seems most thankful to the learning department and Young Co. who provide the tea and cakes for the Citizens' weekly tradition...  Homemade Scones!  Nice.


This Restless House at the Citizens Theatre, 2016 citz.co.uk
Photos: Tim Morozzo

We have the morning off on Saturday to prepare for a dress of part two and then a dress of both part two and three.  It is the first time we have run the two in consecutive order.  It is so useful to see how the two plays bleed into each other.  Literally.  

Next week, tech part one....!

22 April - 14 May

Thursday, 14 April 2016

Behind the Scenes with This Restless House

Olivia Morgan takes on the fascinating role of Electra in Zinnie Harris' new trilogy This Restless House based on Greek tragedy The Oresteia. Here she gives us an insight into the day-to-day life of rehearsing a show at the Citz. 

Thursday 7th April

This Restless House.  Three parts.  Seven weeks rehearsal and we are into our penultimate week. 
It's high stakes, relentless, full-on action. There is no escape and not much pause for rest. Restless indeed!




We are in the knitting-together week and it is so enjoyable to watch scenes I'm not involved with run into one another and simultaneously be able to grasp a better understanding of Electra's journey over the whole of the three parts.

Today was full on.  

In for ten and working through till half eight in the evening. I'm being used quite a lot and it is quite technical. There are a lot of scene changes that will reach their full potential when lighting and scenery comes flying in so I have to imagine a fair bit of what the eventual stage picture will look like.  


Meanwhile the stage is being dressed for tech rehearsals next week

Everyone is contributing all the time in these plays, whether you are the one with all the lines, thrashing and flailing about on a bed (me) or the one who is providing the terrifying noises as a soundtrack.  It makes for a lovely feeling of collaboration in the room.

We have a couple of hours rehearsal with the girls playing young Electra and young Iphigenia in the evening so we jump from rehearsing part three back to part one then onto part three again. It's incredible watching these young girls work and it is always a breath of fresh air when they come in.  After dinner we look at a dance number.  Drums are banged, guitars are twanged and I'm counting 1-8 so intently I might actually be in time...  



By the end,  I'm knackered, and I am one hundred percent certain that the Easter egg waiting at home will be devoured tonight...

Read Part Two here 


22 April - 14 May